29 October 2007

Getting to the point

Tom Paki's fishing the point again
tying tackle on a raw day with
rain washing down the coast
but his mind's not on the job

he wonders why the sea took
his kids and whether his ancestors
had anything to do with it or even
whether he believes in Tangaroa

big fingers numb fumble knots
he thinks of his friend the pakeha girl
with green eyes and satellite boys
who circle hope and fret

she's seen the world but still
eats kina and hugs him for the present
'though when he gets home he gets it
in the neck

heck he says it's aroha don't you see
not the other he wants to say she's
the age that Sue would have been
but he's not that dumb

and thinks instead perhaps it's time
he got to the point where
the sea smells like fish heads or
the fresh shucked juice of kutai

but it's a cold day on the rocks as
the wrinkled sea slides and coils
around his feet and rain knocks
at his parka hood he wonders

where his kids are and if they're warm
and whether she's curled in front of a fire
and why it's so hard to tie knots
with the rain in your eyes.



Notes:
1. None of the characters in this bear any intentional resemblance to real people, living or dead.
2. Tangaroa: god of the sea.
3. Pakeha: the definition is sometimes contentious, but it generally refers to people of European descent; however, the range of interpretations is broad and the word is considered by some to encompass New Zealanders who have no Maori whakapapa (loosely meaning genealogy). The origin of the word isn't known, although some interesting suggestions (as well as fanciful theories) have been put forward. The Wikipedia entry on 'pakeha' (accessed 31 October 2007) seems to offer a reasonable summary, but if you're keen to understand the concept better, I suggest Michael King's Being Pakeha Now (2004) (although I haven't read it).
4. Kina: the sea urchin (sea egg), Evechinus chloroticus. A delicacy (apparently), particularly for Maori.
5. Kutai: mussels, particularly the New Zealand greenshell mussel (Perna canaliculus), rock mussel (Mytilus edulis), and blue mussel (Mytilus galloprovincialis).

Photo:
Beach detail near Pencarrow Head, Eastern coast of Wellington harbour.


Update (31 October 2007): edited the note about the word "pakeha". (Thanks, Anne-Marie).


Photo and words © 2007 Pete McGregor

12 October 2007

The ruins of the moment

Langur & baby

Tuesday 27 February 2007
The sun rises through dawn mist over fields, crops, and small trees; its huge disc burns orange. A man stands washing his face in a misty, mirror-like river, the perfect ripples spreading out from his legs, on through India's history, the way memories flow through a life. Moments like these leave you unable to speak.

A man in uniform gets off the bus, rubs his hands together, then puts them to his face. His big, flexible fingers mould to the contours as if the bones had become plastic, following the curves of his cheeks, filling the hollows of his eye sockets. The bus lumbers off; crows occupy the power lines. India must be great for a crow, as there's always so much to scavenge, and the advantage of being a crow—or any flying bird—is that when you're tired of the filth and squalor amongst which you feed, you can fly up, away from it. The ability to look down on something usually makes it more tolerable. On the other hand, the opportunity to look up to something—a crow alighting on perfect wings, a god, a mountain at dawn, the memory of wild eyes—helps us, those of us who cannot fly away, to bear the intolerable. This arises, I think, from more than hope, from more than the idea that perhaps one day we too might lift ourselves out of our small, hard, caged lives. It arises, I think, from gratitude that something survives: we are ruined, but the things we look up to are not.

...

I'd taken a cycle rickshaw from the Parihar to the bus stand, where I'd found myself standing immediately beside the Kota bus. Despite the vehicle's characteristics—the usual old, decrepit monster—the ride proved enjoyable, particularly since the bus never filled completely and I'd had a seat to myself, leaving me free to gaze out the window, to lose myself in thoughts. To lose myself in India. Who knew where I was? Everyone I knew and everyone who knew me knew nothing of my whereabouts beyond knowing I was somewhere in India. Perhaps a few guessed I was somewhere in Gujarat or Rajasthan; others had no idea or just a vague recollection of something about India and Africa. This is the anonymity of travelling; it terrifies some and delights others.

I think I'm one of the others.

At Kota a rickshaw took me to the railway station, where I bought a ticket for Sawai Madhopur and with help from several people found the platform, the train, and the carriage. Squashed into the entranceway to the carriage, I had to endure a Treepiesteady stream of people squeezing past to get to the toilet, but the journey took less than an hour and a half, and a slight breeze made it, if not comfortable, at least bearable.

At Sawai Madhopur a man rushed up, offering me transport on a horse cart.
“The Aditya?” I asked.
Yes, yes, he nodded, he knew it.
“How much?”
“Ten rupees.”
At that moment another man rushed up and offered me an auto rickshaw ride for the same price, gesturing for me to follow as he walked off. A common ploy—this was such a good deal that of course I'd accept his offer; after all, an auto rickshaw's much faster. But haste wasn't important for me. The first man, almost distraught at the prospect of losing a customer, immediately dropped his price to five rupees. I accepted, and, after a slow but enjoyable journey, gave him the ten. Clearly pleased, he insisted on carrying my bag into the hotel.

...

Ranthambhore National Park is a much modified fragment of the extensive forests that covered the Aravali and Vindhya ranges until early last century, when about 40,000 tigers were thought to survive in India. The forests received some protection in 1955, as Sawai Madhopur Sanctuary, but by 1972 the first census of tigers throughout India suggested a surviving population of fewer than 2000 tigers [1]. In 1973, following the shock of that census, Project Tiger was launched and Ranthambhore was designated as one of 9 tiger reserves [2]. By then, tigers were close to extinction in the region and none were officially recorded in the reserve until 3 years later. The core area of the reserve, 282 km2, was designated as Ranthambhore National Park in 1980 and substantial adjoining areas were added in 1983 and 1984 as part of the tiger reserve. Prospects looked bright.

But tigers in Ranthambore have faced continuous pressure from human activity, and serious bouts of poaching in the early '90s and again only a few years ago decimated the tiger population. A survey in May 2005 used three methods to estimate the tiger population in the park: camera traps operated by the Wildlife Institute of India; the heavily criticised plaster cast/pugmark tracing technique used by the Forest Department; and the recently developed digital pugmark technique implemented by the Wildlife Protection Society of India.

The results were depressing. The unreliable plaster cast method estimated 31 tigers, camera traps suggested 21; the digital pugmark technique identified 26 tigers, two of which might have been transient. Offical figures a year earlier had claimed 39–41 tigers. Either those figures had been inflated—likely, according to those who pointed to the “Sariska disaster”, where a census in 2004 showed tigers had been exterminated from that reserve while officials knowingly overestimated the number of the few survivors—or about a third of Ranthambhore's tiger population had “gone missing” within a year.

Would I be lucky enough to see one of the survivors? Only the next few days would tell. Ranthambhore is reputedly the best place in the world to see wild tigers. Right now, they still lived here. But for how long?

...

In the afternoon I walked along the road towards the entrance gate to Ranthambore National Park, past the tourist reception centre where I noted the times and costs of entry to the park, on along the road, on in the heat and glare. Always, the gate seemed just beyond the next bend. Two camel carts with enormous loads passed by, returning to town. The driver of the first grinned at me and patted his load of plump sacks, indicating for me to climb aboard. Tempting, ... but I grinned back and gestured I was headed the other way.

Not much further down the road I began to wish I'd taken up the offer. Finally, I abandoned the idea of walking to the gate and turned around. Soon after, two young guys on a motorbike picked me up and gave me a lift back to the Aditya. Helmetless (of course) we hurtled along the tarmac, three of us reckless on the Pulsar in the afternoon sun and wind. Later, I discovered the park entrance gate was just beyond the corner where I'd turned back.

I ate that evening at Tiger Safari, about 2 minutes' walk back towards town, hoping to meet others who might want to share a jeep. I'd only been seated a short time when Clive introduced himself. He was in his late sixties, although he looked about ten years younger; a former school teacher, English but now living in Canada, Clive was a keen birdwatcher—a birder, to use the North American term. We arranged to meet the next morning to share a rickshaw to the entrance and walk along the road through the buffer zone, towards the fort, looking for birds and whatever else might choose to appear. I remembered Robin and Erika's advice and hoped I might, like them, be lucky enough to see a leopard from the road. Still, bolstered by my heightened trust in fatalism after the motorbike ride, I decided to accept the outcome with equanimity; to be prepared, when asked, “Did you see the leopard?” to reply, “No! Isn't that wonderful?” [3]


Wednesday 28 February 2007
Birds abounded along the entrance road. Francolins, spotted doves, treepies, babblers, drongos, lapwings, peafowl, a pair of vultures high on the cliffs, and many others. But the leopards, if they had indeed been prowling during the night, had gone back to their hidden places, to their cool, dark caves or the breezy shade in rough ravines beyond our peering eyes. Other than langurs, the only mammals we saw were a sambar hind and yearling.

Back at Tiger Safari I booked a seat in the afternoon canter—an open-sided, roofless, 20-seater truck. It looked promising when we began with just eight people, all but me from Tiger Safari, but when we stopped at the reception centre the remaining seats filled up with Indian men in high spirits. Every time a jeep or canter drove past carrying foreign women, the testosterone kicked in, and as they whooped and called out, my heart sank. The prospects for seeing wildlife with a boisterous, rowdy crowd seemed remote. But in fact they proved fine; freed from the temptations of exotic women, they seemed easily able to appreciate the charms of the park and its nonhuman inhabitants.

Black-tailed mongoose, langurs, sambar, chital, six tiny muggers in a small pool, three nilgai. Nothing else but the faint possibility of a tiger or leopard and the enjoyment of being in country belonging mostly to animals; where humans are visitors, not invaders. We spent a good three hours in Zone 2, one of the best—possibly the best, given Zone 3 had been closed just a few days before—and finally left the road gate shortly after 6 p.m.


Thursday 1 March 2007
A series of loud explosions during the night, followed by heavy rain. The explosions were thunder, I guess. I tried to sleep late but couldn't. This was to be a morning to recover from tiredness and activity and sensory overload; a morning also to attend to important tasks. I walked into town and on the spur of the moment booked a canter trip for the following morning. Buoyed by the uncharacteristic ease with which I’d made a decision I strode on through the bazaar, which buzzed with activity and people and flies; I picked my way through puddles and mud and rubbish and found the Post Office, where I mailed the CD of selected photos I'd taken at Jamnagar and Kileswar, with a note of thanks, to Jagat.

With help from a Sikh man and his son I booked a ticket on the Golden Temple Mail back to Delhi on Saturday. I could only get on the waiting list; however, I had few other options and in any case assumed I'd somehow manage to get on the train and would survive the journey even if it proved uncomfortable.

Clive had booked a jeep to take him to the fort in the afternoon, and had acquired another passenger, Clements, an Airbus manager from Hamburg. About 30, Clements shared something of my attitude towards wildlife, being less interested in seeing particular or novel things and more interested in enjoying what he saw. Like me, he had a particular fondness for tigers and little interest in lions. We climbed to the fort and wandered around. Views over the lakes; herds of chital grazing near the water's edge. A few sambar; ruddy shelducks, cormorants, stilts, painted storks, a woolly-necked stork, other birds I didn't record and have now forgotten. On the far shore a large congregation of muggers basked in the sun like beached canoes. I counted at least 40, most of them a good size. Clive seemed delighted with the view, the sense of possibility.
“This'd be a good place to wait and watch for tigers in the evening,” he suggested.
He recalled seeing documentary footage of a tiger attacking deer at the lake—charging from the long grass into the water. The image had clearly had a powerful effect on him, as several times over the next day he mentioned how good it would be to see a tiger burst from the long grass in pursuit of prey.

Clements decided to explore more of the fort and arranged to meet us later on the road, which Clive and I intended walking in the hope of seeing a leopard. We saw no sign of leopards, but did encounter a chital close by. On foot, this one encounter seemed more meaningful; the animal seemed more present, the interaction more real. Of course, the animal was also more aware of and concerned about our presence, and bounded away into the open forest and the developing evening. I lingered opposite the leopard cliffs while Clive walked on down the road, searching for birds. I wasn't expecting to see a leopard but wanted to allow a good chance for it to happen. Besides, the troop of langurs frequenting the area had been illuminated beautifully by the evening sun, and I decided to make the most of the opportunity for photos. But perhaps most of all, I simply enjoyed being alone, my only company the langurs, occasional birds, and the faint possibility that somewhere, perhaps up on those sun-warmed cliffs among the evening rocks and Euphorbia, a leopard watched.

Clements still hadn’t appeared, and I began following Clive along the road. I stopped by a small, lushly overgrown pool and studied the dense vegetation for a few minutes. So much cover, so much shadow in which to hide. In the fading light, anything seemed possible—the twitch of a long, spotted tail perhaps, or maybe the flicker of a soft ear rimmed with black above the gleam of a pale yellow eye. The forest seemed to hold its breath; nothing moved other than the quiet trickle of the stream. I waited, then began to walk on. But as I did so I glimpsed something brown, something that seemed not quite right. Through the binoculars the brown resolved into hair, the pelage of a large animal. Then the head, partly obscured, staring at me. A section of antler. A sambar stag. Behind me, I heard a motorbike climb the road past the leopard cliffs, then slow and stop. Clements dismounted from the pillion seat and joined me. With difficulty I explained the stag's location to him. When he finally saw the animal he could hardly believe how I'd managed to see it. I didn't tell him it was a skill acquired from years of long evenings, long ago, sitting and watching the wild little valley where I’d lived for the first two decades of my life, watching to see what might appear.

We reconvened at Tiger Safari for beer, and I placed my camera, still with the big lens attached, and binoculars on the table in preparation for changing lenses and packing the gear. Someone asked if he might look through the lens.
“Sure,” I said, but as he picked up the camera its strap caught on the binoculars and knocked them from the table to the floor. The concrete floor. Unfortunately, my usual luck deserted me, and I checked them to find they'd been knocked out of alignment. They were still usable, but only just, and only for very short periods—when I took them from my eyes, I felt as if my own optics had been knocked out of alignment.

But the conversation that evening partly compensated—an interesting discussion about travelling; about attitudes and perceptions. The beer probably helped, also. And the damage to the binoculars was another lesson in nonattachment—a hard one, though. They'd been a gift, many years ago, and with their damage, she moved a little further into the past.


Friday 2 March 2007
A poor night's sleep, waking often. I rose before dawn and made my way to the Raj Palace where two young German men joined me to wait for the canter. When it arrived, late, we found the cold vinyl seats wet with dew. I put my little rectangle of blue closed-cell foam down and kept my bum mostly dry, mostly warm. I'd had the foresight to bring not just my light fleece top but my light parka as well, and managed to avoid getting chilled; I did wish I'd thought to bring my fingerless mitts but completely forgot about the ancient nylon-and-fleece gauntlets I'd stuffed as padding in the bottom of my daypack. But with my hands encased in those, I wouldn't have been able to use the camera. Some things are more important than numb fingers.

We stopped several times to pick up passengers. The last group turned out to be a large contingent of young schoolgirls from New Delhi. As with the group of Indian men on the previous canter trip, my heart sank—and, as on the earlier occasion, my misgivings were largely unwarranted. Their teachers had clearly drummed into them the importance of keeping quiet, and although their natural exuberance got the better of them at times, a “sshhh!” or urgent whisper from a teacher worked remarkably well. In fact, on a canter ride the previous day they’d seen a tigress with three cubs. I couldn't help feeling a twinge of envy, but it was fleeting and tempered with the thought that if anyone should be lucky enough to see these tigers it should be these young girls, because they're the people who will most directly affect the tigers' future. It's their country; the tiger is as much a part of their heritage as anyone's, and if they learn to respect and appreciate the tiger now, perhaps they'll eventually be able to turn that respect and appreciation into action.

But on this trip we saw no tigers. We saw little compared to the ride I'd done two days ago—fewer chital; no sambar; no new species. Ahead of us, a jeep and canter had stopped. Apparently a leopard had been glimpsed near the top of distant bluffs, but if it had indeed been a leopard, it was so far away that even if anyone else had managed to see it, the real value of the sighting would have consisted more in the confirmation that a wild leopard exists than in the image of the animal itself. The sighting remains unconfirmed.

...

I returned to the fort with Clements and Clive in the evening. We watched while the sun left the land and shadows crept out; a tide of darkness spreading from the base of the fort out towards the lake. Many rose-ringed and a few plum-headed parakeets; peafowl flying up into trees, onto walls and buildings and battlements. Everywhere I looked I saw animals—birds in the trees and on the hills; sambar wading in the lake; a group of nilgai; muggers lined up on the far shore. I tried to work out how a tiger could possibly approach without alerting something, especially as the katabatic breeze had begun to drain towards the lakes. Clements joined me and we talked quietly, high up, looking out, watching the visitors leaving below us, until we saw Clive, lower down, begin to make his way back to the jeep. We met him there at about ten past six and Clements asked if we could stop briefly on the way out for a last look at the lake and crocodiles.

We'd have stopped anyway, as several canters and jeeps had pulled up there. Apparently there had been a tiger sighting. We pulled up in front, but could see nothing because the wall and topography blocked the view of the lake. The tiger had obviously disappeared from view, because no one seemed excited—just hopeful,Tiger gaze expectant. Employing what remained of my climbing skills I scaled the canopy frame and balanced there, scanning through Clive's binoculars.

That's when I saw her. Walking along the shore; a glimpse for several seconds through a gap in the trees. Against the light reflected from the lake she was little more than a silhouette, but utterly unmistakeable.

“Yes. Tiger,” I said, quietly.

Immediately, our driver became excited, animated. He pointed—I think he must have seen her too, as he'd stood up on his seat—and started talking loudly in Hindi, presumably explaining where the tiger was.

All hell broke loose. The place became a circus, people scrambling to get a better view, canters and jeeps revving and adjusting positions. An Indian man left his canter and tried to climb up on our jeep, only to be told off in no uncertain terms by Clive, who was balancing a little unsteadily lower down on the top of the seat, holding onto the frame and less than happy about having the jeep bounced around by an uninvited guest. Meanwhile, I'd seen another tiger. I passed the binoculars down to Clive, but they were hardly necessary. It soon became clear that this was the tigress with her three cubs. Machali, she's called. Now ten years old, she's the most photographed tiger still living in the wild. If Ranthambhore is sometimes called the jewel in the crown of India's wildlife sanctuaries, Machali, because of her tolerance of human gawpers, confers much of that jewel's brilliance.

I dialled the ISO to 1600 on the camera and managed a few photos, which actually show the stripes and colours, but the images are little more than records of darkness and light, tangled vegetation, glimpsed outlines of legendary animals. But perhaps this is how this moment should be remembered. A sharp, clear, well-lit photo would create its own memory, a fragment which in time would replace the actual memory of the moment. Perhaps this is the way with all photos. And perhaps it's also the way with all memories—that they're fragmentary: memories are the ruins of the moment.

Baby langur


Notes:
1. According to the Wildlife Protection Society of India, the current number of tigers in India is about 3000 to 3500.
2. There are currently 25 Tiger Reserves in India.
3. If you've been reading here for a while you'll probably recognise this. For those who don't, it's a paraphrase from p. 225 of Peter Matthiessen's The Snow Leopard (1978; London, Harvill. 312 pp. ISBN 0-00-272025-6).

Photos (Click to enlarge them. Unless otherwise noted, all photos are from Ranthambhore National Park):
1. Langur (Semnopithecus entellus) and offspring. At the leopard cliffs along the road through the buffer zone.
2, 3. Indian treepie, Dendrocitta vagabunda. Often called the rufous treepie (see Manakadan R, Pittie A. 2004. Standardized English and scientific names of the birds of the Indian subcontinent (222 Kb pdf)).
4. Chital (Axis axis) stags.
5. Sambar (sambhar, sambhur), Rusa unicolor (often referred to as Cervus unicolor (but see Pitra C, Fickel J, Meijaard E, Groves PC 2004. Evolution and phylogeny of old world deer. Molecular Phylogenetics and Evolution 33: 880–895. Online as a 613 Kb pdf file.)). If you look carefully, those are langurs in the background.
6. Roots along the entrance road.
7. Langurs at the entrance to the park's core zone, below the fort.
8. Evening feed, below the fort.
9. Moon over the leopard cliffs.
10. Tiger at Naini Tal, Uttaranchal. CAPTIVE animal. This single male tiger was confined within a surprisingly large enclosure which—perhaps even more surprisingly—included areas where he could hide from view. He seemed in magnificent condition. Most significantly, he was interested in his surroundings—including me, perhaps as potential prey (hence the gaze).
11. Juvenile langur below the fort.

Photos and words © 2007 Pete McGregor

10 October 2007

Talking to Albert (poem)

It's been a while between posts. I'm working on another about India (so check back soon), but in the meantime, here's something old and something new.

Miep

Talking to Albert

This, they say, is how it is
The light from this cat sitting
On the morning windowsill
Travels out through glass
Past the thrush on the fence
Through the dawn wind over
Dark valleys steaming ridges
The old moon and so on

If, they say, the cat returned
It would still be caught rough-tongued
Licking its arse but the sun
By then would be gone
What use therefore I say for
A cat without sun and how
I say could I feel a small nose
Press my palm

Ah, they say, that requires
Mathematics.



Note:
This is an old poem, from the mid '90s. It was published in the anthology of selected entries from the
New Zealand Poetry Society's 1994 International Competition: Woodward I; Harper R (eds) 1994. The old moon and so on. Wellington, NZ Poetry Society Inc. 61 pp. ISBN 0-473-02797-6.

Photo:
1. Miep, owner of M & I's big house at Eastbourne.


Photo and words © 2007 Pete McGregor

28 September 2007

Yellow flowers, smiling

Willis Street, the heart of Wellington. Roaring traffic, the squeal of bus brakes, a screech of aluminium as poorly adjusted doors fold open to liberate passengers. A taxi blares its horn, unwilling to ease its acceleration. Petulant impatience. Californian quail, femaleOn the footpath a young woman walks, hands in jacket pockets, lips moving as she speaks to no one. She seems halfway between distraction and distress but discloses no clues about which way she’s heading—only that it’s elsewhere. A young man in black with a shoulder bag and green hair bounces along the street. Confident, going somewhere. A little later the elsewhere woman returns, eating a pie. If she looked at me I’d smile but she notices no one, she’s gone from the noise and the rush; wherever she is, it isn’t here.
My bus still hasn’t appeared. A man, probably in his early 30s with a long beard and a colourful knitted hat, sits on the bench near where I’m standing. With him is a little girl, maybe six or seven years old, dressed in a yellow T-shirt and burnt orange, patterned tights with a hole above the right knee. She has long blonde hair and wears a purple, handmade felt hat with a slight Paddington-bear look to it. It’s decorated with a row of bright yellow daisy-like flowers. Among the mass of bustling people dressed in black and dull, muted colours the man and the girl look like slightly faded rainbows on a squally day. It’s hard to believe they live anywhere but in a house bus painted with flowers and called Myrtle.
She swings her legs as she sits on the bench and looks around at the people passing by while she talks to him. An Oystercatcherold woman labours over to the bench and eases herself down; with an effort she bends and removes her left shoe. The man picks up the little girl and sits her on his knee to give the old woman more room. After rubbing her foot she replaces her shoe. The girl watches. The woman looks up her—and the small face framed in gold and purple becomes an enormous smile, one leaving room for nothing else, no competing emotions. She beams and swings her legs on her father’s knees.
Even from a few feet away I can’t hear the conversation because the cacophony from the street drowns everything. But the words are incidental. Her father’s smiling too, and I catch a phrase: “She’s going to Caitlin’s this afternoon.” The yellow flowers tremble on the purple hat.
...
Along the coast from Burdan’s Gate two Californian quail run, agitated, across the dusty gravel track, pausing before disappearing Californian quail, malebeneath the boneseed. I stop pedalling, let the bike coast and slow and stop so I can peer into the dim tangle of low branches, but the birds have gone. Evening surf hisses on the shingle beach; a gull yelps.
Boneseed—that strange, unyielding name, with its connotations of death and potential life. Slowly, boneseed has begun to take over the shingle beach, moving down off the steep, goat-gnawed hillsides where it mingles with the gorse; spreading onto the wide shingle dunes, seedlings springing up among the driftwood and brittle shells. I bike on, towards the lighthouse, alone in the evening. Everywhere I look, yellow flowers remind me of a small child with a smile that could embrace the world.





Notes:
1. The flowers might look pretty, but the spread of boneseed along New Zealand's coast is worrying. However, in early 2007, the boneseed leafroller (Tortrix s.l. sp. "chrysanthemoides"), a potential biological control agent was released (365 Kb PDF). Caterpillars of the boneseed leafroller damage the plant's leaves, stems, and bark, causing terminal leaves and shoot tips to die. The outcome of the biological control programme might not be known for some time — possibly many years — but we can remain hopeful.
2. Californian quail were introduced to New Zealand in 1865 and are now widespread. I have a soft spot for these birds, as they were common where I grew up, in a small valley on the outskirts of Christchurch. Hearing their distinctive call can take me back decades.

Photos (click to enlarge them):
1, 3. Californian quail, Callipepla californica (photo 1, female; photo 3, male). Wellington coast, near Burdan's Gate, Point Arthur.
2. Torea, the variable oystercatcher, Haematopus unicolor.
Wellington coast, near Burdan's Gate, Point Arthur.
4. Boneseed (Chrysanthemoides monilifera ssp. monilifera) flowers. These appear identical to the flowers on the little girl's hat.

Photos and words © 2007 Pete McGregor

11 September 2007

How to get lost

silvereye
Leave the highway and follow the gravel road past the row of macrocarpas, the old woolshed with its lichen-smothered yards, the derelict cottage, one window opening glassless into the vacant dark, the dark full of memories and the scamper of small feet, the other window opaque with age and grime, like a cataract. Both eyes blind. Leave the car at the broken gate; follow the track under the pines; stop for a moment to listen to the wind whispering in the needles and to feel the softly rotting litter under your feet. Then carry on, up over the hill.

Manuka scrub, a few half-wild sheep shedding ragged fleeces. A little colour in a bitterly cold sky filled with the sound of distant surf and a skylark's song—but the bird cannot be seen. At the far end of the small lake a kahu floats on wide wings, tipping and circling above a wetland of rushes and raupo. There the lake becomes the wide end of a rough gully patchworked with old gorse, through which mahoe and five-finger have begun to grow, replacing it. With time and luck, they too will be replaced and a future forest might muffle your footfalls. But now, pick your way along the sheep track skirting the wetland. Perhaps you'll flush a pair of ducks; in years gone they might have been greys but these days they're more likely to be mallards or hybrids.

Silvereyes scatter on the wind, past the rattle of cabbage tree leaves black against the light.


Follow the sheep track up through the tussocks and back 40 years; watch the old hare lope over the skyline. You're no threat to him, but he wants to be on the safe side. By now you are becoming like him, each step taking you out of the world, back to the time before the little strangers arrived, back to the time before the tide washed away the first footprint with five toes; forward to the time you can be forgotten. A gust of wind wrinkles the surface of the lake and the world vanishes.


You are the air in flight, a ripple in long grass. Sweep on over the hill, into the evening, following the hare's long lope; you will reform in the lake, somewhere between land and sky.


You are the wind, the light reflected, movement and moment. You are the sound of the surf beyond the low hills, a sound repeating the story of your life, over, and over, and over.


Notes:
The passage is short and footnote markers would interrupt it, so I've not indicated them in the text.
1. Macrocarpas—Cupressus macrocarpa. The common name is Monterey cypress, but here everyone calls them macrocarpas.
2. Manuka—Leptospermum scoparium; sometimes refers also to kanuka, Kunzea ericoides.
3. Kahu—the harrier, Circus approximans.
4. RaupoTypha orientalis.
5. Mahoe—whiteywood, Melicytus ramiflorus.
6. Five-finger—puahou, Pseudopanax arboreus.

7. "...greys..."—grey ducks, Anas superciliosa, are native in Aotearoa, but are becoming increasingly rare as the introduced mallards compete and hybridise with them.
8. The Maori name for silvereyes, "tauhou", means "little stranger", a reference to their recent arrival in Aotearoa. Presumably blown across the Tasman, they were first recorded here, near Wellington, in 1856.
9. "...the old hare.."—there's a photo of someone like him in this post, and another here.


Photo:
1. Tauhou, the waxeye, white-eye or silvereye; Zosterops lateralis.


Photo and words © 2007 Pete McGregor

02 September 2007

Grace on a rainy day

Ground hunting spider

Before dawn the wind arrives, roaring around the house, banging a loose sheet of metal somewhere outside in the dark. Last night the weather man issued warnings—hurricane force winds, he said; and I wonder whether they'll arrive here, or even if they'll hit the Wairarapa as forecast. I drop back to sleep, wake a little later to hear the wind's no worse. Then a shower of rain, heavy, solid drops, but it comes to nothing. The shower passes, the wind comes and goes, gusting but not developing.

All morning it stays heavily overcast, with occasional, half-hearted showers. Trainee rain. Just enough to keep the ground wet. The tops of the southern Ruahine disappear into dense, looming cloud. It's not really the sort of day to be out turning over rocks looking for what lives under them, and besides, it's only the second day of Spring—not as cold as the heart of Winter, but still not the best time of year to expect to find much invertebrate life.

Still, I'd like to make some kind of small contribution to helping make International Rock Flipping Day a success. After lunch I gear up and drive to the end of No. 1 Line. Rain spatters the windscreen; someone in an SUV, towing a trailer, speeds down the gravel road—fortunately, I at least, am driving sedately—and at the road end the cloud's so dense and low I almost abandon my plans and head for lower, drier ground on which to flip rocks.

But the bush shelters me from the passing showers; I hear them hissing on the leaves in the canopy overhead, but they're not persistent enough to filter through. At my level down here, the understorey foliage glistens with old rainwater, the leaves shine in the dull light. Rocks seem scarce, however. At least, the kind of rocks I'd like to turn over; the sort that seem somehow promising. Here, most are old, heavily blanketed with thick mosses and foliose lichens, and deeply embedded in the forest floor. I ease one or two carefully out of the leaf mould, finding, as expected, nothing other than a leafhopper or two—the little amphipods twitch and scramble their way out of sight within a few seconds. I wonder what I'm doing, disturbing them like this.

I replace the rocks gently and carry on up the steep, greasy track, realising as I climb that actually I don't want to turn over rocks. Somewhere along the years my curiosity to know what's living there has been supplanted by the desire to let what's living there continue to live there, unmolested. It's absurd to believe my turning over rocks might have any sort of detrimental effect on the invertebrate populations here, but that seems beside the point. Increasingly, my concern has come to be for the individuals; the possibility that no matter how carefully I replace the rock, my action makes someone homeless, at least temporarily, and therefore vulnerable.

Although, perhaps there's more to it than that. As I climb, I find myself placing my feet carefully, quietly, not because I'm Rimu barktrying to avoid slipping (although I am) and not because I think I might see a deer (I don't), but simply because it seems, well, ... right. It's the same feeling I've had on an untrodden sand beach, or a snowfield—a feeling of not wanting to disturb or intrude, to leave no trace, to travel so lightly no one could ever know I'd been there. Perhaps it's the art of passing through a place with grace. Or perhaps it's plain, simple respect.

It's impossible, of course—Heisenberg proved that—but that, too, is beside the point. So what if it's impossible? Maybe the knowledge that something's impossible protects us from despair. If we believe something is possible, but it proves too difficult, the urge to see ourselves as failures is likely to be irresistible. On the other hand, knowing something's impossible frees us to enjoy striving as hard as we're able.

I see I'm drifting away from rock flipping. I'd still like to contribute something, and I acknowledge how important rock flipping used to be to me, and how exciting it is for kids in particular. Have you ever noticed how, in a child's mind, the larger the rock the more wonderful the things that must live beneath it? I think many adults haven't grown beyond that idea.

I turn a few rocks, mostly for IRFD instigator Dave, and find little other than a couple of large carabid beetles and a ground hunting spider. I manage one quick photo of the spider before she buries herself beneath the litter. She was living beneath one of the smallest rocks I flipped all day.



Photos (click to enlarge them):
1. The ground hunting spider. Miturga sp. The taxonomy's contested, I think; it's now sometimes placed in Uliodon.
2. Different day (earlier this week); different road end (No. 3 Line); similar weather.
3. I actually spent more time photographing the bark of this rimu (Dacrydium cupressinum) than turning over rocks.



Update: You can find links to everyone else who's posted about IRFD at the bottom of Dave's post. He'll be adding to the list from time to time, so check back there occasionally. In any case, via Negativa's an excellent blog so go and check it out if you don't already visit regularly.

Photos and words © 2007 Pete McGregor

31 August 2007

Bundi: Goblins and uneasy dreams

Inside the Taragarh fortSunday 25 February 2007
The honey man squats on the path with his scales in his hand. He puts the mostly empty jar on one pan, a few freshly collected rocks on the other, and tries several combinations of rocks until the pans balance. Then he spoons honey into the jar, adds an aged metal weight to the rocks and spoons a little more honey into the jar until the pans balance again. Using what's at hand to tare the jar—simple, efficient, and effective.

...

I sat in the pleasant shade under a tree at the Lake View restaurant. Earlier I'd been out on the sun-baked patio where I'd had a glass of lemon-honey-ginger and a barely edible veg rice—soggy and an evil khaki colour; full of bitter okra and flaccid cabbage. The gentle shade under the tree compensated a little for the foul food, and I tried to enjoy it. After all, I wouldn't be back.

But, if the Lake View's food resembled the view of the lake—a roughly similar bilious colour, the smell of decayGoats; Bundi, a mucilaginous consistency, and a substantial garnish of refuse, Bundi made amends with the best lassis in India. Thick and creamy, a blend of yoghurt, saffron, honey, pistachios, cardamom and sultanas, the Sathi lassis were the best food I had in Bundi.

I slept for about an hour in the afternoon then walked to the Taragarh fort and palace, where I explained I didn't want to visit the palace, just the fort. The man at the ticket office waved me on through.

The guide book describes it as “a 20-minute difficult climb”. A gross exaggeration, and the rewards were well worth the small exertion. Great views, of course, but more important for me was the solitude. During the entire time I spent there—the better part of a couple of hours—I saw no more than half a dozen people, all distant and unobtrusive. Old cannons lay around, rusting quietly, one pointing out over the city, another abandoned in a shelter splattered with graffiti scrawled and scratched in Hindi. Most of the stonework still stood as it must have when the fort was occupied, but here and there the structures had collapsed or been broken down. Dry, hard, thorny trees infested much of the enclosed area. Everything felt abandoned, on the verge of being forgotten.

As the light began to dim after sunset, I tried to find my way out. This was when I realised the complexity of the system of concentric battlements. I walked past several stepwells—eerie, deep structures, the water thick and green. A frog called from one, the sound echoing from the walls and water; in the dusk I saw the surface of the water pocked by the rings of hatching insects. Mosquitoes, probably. Shelters under the battlements filled up with night, their arched entranceways framing darkness, the home of uneasy dreams[1]. Goblin country. One might half expect to glimpse a small band to scuttle from the shadows and run, snarling and spitting, with a clink of mail and weapons, across the dusty ground to disappear along a path between the thorn bushes. Out of imagination, into the dark.

I climbed the battlements and looked out, trying to get my bearings. The telecoms tower marking the entrance to which cars can drive was only a short distance away but might as well have been in the Pohangina Valley. By now the light had faded substantially, and although the half moon would have enabled me to walk, even well after dark, I didn't relish the idea of stumbling around among the thorns and ruins, perhaps losing an eye to an inch-long spine or ending up floating, face down and stunned, at the bottom of a well. I decided to retrace my steps and return the way I'd entered, Rhesus; Bundiconfident that even if they'd locked the gates I'd be able to escape through one of the broken sections of wall I'd seen when I'd climbed to the fort earlier in the evening.

By the time I'd begun to negotiate the final section before entering the palace grounds, the last hint of daylight had almost vanished. I picked my way down the rough and rocky track by moonlight and intuition. A large troop of langurs lined the path, as if preparing to descend on the town; some sat on the walls, some in the trees—and some sat on the path. I kept walking steadily, hoping that by avoiding abrupt changes of pace or sudden movements I wouldn't startle them. They sat there, some ignoring me, others looking in my direction as if they could locate the sound of my approach but were unable to see what caused it. I walked through the troop. Some of the monkeys sat within arm's reach; I had to detour around one to avoid stepping on his long tail. In the twilight they could easily have been Kipling's goblins.

I left the langur troop behind and immediately encountered a large gang of rhesus monkeys. Again, the curious, apparently unconcerned behaviour. I picked my way carefully and steadily past. A small juvenile looked up at me, unafraid—if I'd lost my senses I could have reached down and patted it. I didn't. I kept walking. Behind me, one of the macaques spat; Rhesus juvenilehalf hiss, half expletive. Given their otherwise complete disregard for me, I guessed it was abusing another rhesus.

The gates had remained open and I walked back down the cobbled ramp into the town. I bought a bottle of water, and the man counted the coins and handed back the one rupee I'd inadvertently overpaid him.

In a moment of contrariness, I ordered a veg fried rice for dinner, thinking surely it couldn't be as bad as the version I'd had at the Lake View. The Parihar's was definitely better, lacking the okra and with chunks of potato, but it still had that peculiar Bundi character to it—slightly like the pervasive smell of the town itself; a smell like old vegetable scraps or boiled cabbage. The fried rice might, with imagination, have been identified as fried, but actually resembled risotto. I surprised myself by eating it all, but that might have been because I ate it without noticing what I was eating; I was enjoying the conversation with S, a woman from Perth in Scotland, who was waiting for her rickshaw to take her to the bus at 10 p.m. She was heading for Mt Abu, via Udaipur. Less than 24 hours ago I'd travelled by bus along that road between Bundi to Udaipur, and I didn't envy her. The ride had been rough, possibly the roughest since Uttaranchal, possibly as bad in places as all but the worst of the final section of the track to Kileswar. I don't believe I'm exaggerating much. I also realised I'd had only a couple of brief naps since doing that journey in the other direction. I said goodbye and good luck to her and returned to my room, where I slept comfortably all night.


Monday 26 February 2007
No one can give me the same information about a simple thing like getting a bus from Bundi to Sawai Madhopur. As far as I can gather, the best option is to go to Kota, then to Sawai Madhopur, but I'm unable to remember whether it's by train to Kota then bus to Sawai Madhopur or vice versa. The latter, I think[2]. A bus directly from Bundi to Sawai Madhopur takes about four hours, the Kota Bundioption just half that. Both seem to require early starts, but given how hot it is during the middle of the day, travelling in the morning seems like a good idea.

I explored the town—a little of it—in the morning, buying a couple of chiku, topping up the phone, photographing a couple of goats lying on the steps below a doorway, chatting with a man near the goats. At the Sathi I sat and enjoyed another lassi and a conversation with a man from Quebec. He looked to be in his 30s and said he was in Bundi for the fourth time, going on to Jaisalmer. He worked in Mumbai, spent about half the year in Tokyo and the other half in Montreal, and travelled extensively for his work. I asked him what he did.
“Photography,” he said.
Laurent now works freelance, having quit his agency. He asked about my work.
“Semi-retired,” I said, not sure how true it was. “Earning a small income from editing, and doing a lot of writing and photographing.”
He smiled when he heard that.
“I'll give you my card,” he said, and produced a simple, stylish card, explaining as he did so that his website wasn't yet functional. A pity, as I'd like to see more of his work—the photo forming one side of the card reminded me strongly of Bruce Connew's earlier work[3]. A strong composition; black-and-white with a good range of tones.
“It's in Nepal. That's me,” he said, pointing to the person swinging from a bamboo bar, framed against a dark sky.

Nepal. I wondered what I'd find there, how it would affect me.

...

Towards evening I visited the palace to explore, to find out what inhabited the uneasy dreams of men. Kipling's guess—that it was goblins—seemed close to the truth. Palace; BundiAgain, that air of abandonment, of humans as intruders, of a place around one of time's corners, made it easy to imagine goblins lived there, hiding away from the light in tunnels behind walls, in barricaded rooms, in secret attics. Waiting for the footfalls of humans to fade, the key to turn in the lock.

The surviving murals are fragile, so flash is prohibited; that constraint coupled with strong contrast between sunlight and shade made photography difficult. Not impossible, though, and I enjoyed it—the attempt to capture not so much what I saw, but what I felt. How do you photograph a goblin? Perhaps by photographing its environment.

I struck up a conversation with a German couple, slightly older than me; the only others wandering about the half-ruined grounds at the late hour. They'd visited India several times before, but this was their first time in Rajasthan. While they were enjoying it and finding people generally welcoming and friendly—hardly surprising, given their personalities—finding somewhere satisfactory to eat in Bundi had proved difficult. I wasn't surprised; with the exception of breakfasts at the Parihar and the Sathi lassis, the food had been at best mediocre. Anna wanted to try the restaurant at the Diamond Hotel, so we met again at 6:30 and walked there. The only other diners were the mice darting across the floor. Justus's dal fry and rice looked good and apparently tasted so; Anna's kashmiri pulao looked better than the pea-dominated semi-risotto I'd had for lunch; my dum aloo, Bus station, Bundiwhen it finally appeared (one of the waiters had seemingly mistaken my order for scrap paper), arrived swimming in oil. I ate the aloo (potato) and a few spoonfuls of greasy sauce. The chapatis were good though—almost like naan.

We exchanged email addresses. Justus examined mine. He said nothing, then finally spoke.
“Your grandfather came from Ireland,” he said.
It took me a few seconds to realise he was making a serious statement.
“Somewhere South of Dublin.”
Strictly, my grandfather had been a New Zealander, from Oxford, but he'd identified strongly with his Irish heritage. I asked Justus how he knew.
“This means something,” he said, laughing and indicating the contrasting stripe dyed at an angle across his short hair. I noticed Anna had one also, although the colours were reversed—hers a lighter stripe on her dark hair.

Maybe it does mean something, although Justus didn't elaborate. But for me, just enjoying their company carried enough meaning, and if there was a little magic, it seemed appropriate in a town overlooked by the work of goblins.



Notes:
1. “...such a Palace as men build for themselves in uneasy dreams—the work of goblins rather than of men.” Rudyard Kipling, writing of the palace at Bundi. From Sea to Sea and other sketches: Letters of Travel; ch. XVII.
2. It was indeed the latter. From Bundi, catch a bus to Kota and take the train to Sawai Madhopur from there.
3. Unfortunately, Bruce Connew's website doesn't do justice to his work; the photos are too small and seem to have lost much of their tonal range during their transfer to the web. However, you can still get some idea of the quality of his work here, here, and here, for example.

Photos (click to enlarge them):
1. The abandoned temple in the Taragarh fort.
2. Street scene, Bundi.
3. Rhesus macaque, Macaca mulata. This one was just outside my window at the Parihar; you don't leave doors or windows open.
4. Juvenile rhesus.
5. Bundi from the fort.
6. Inside the palace.
7. The bus station at Bundi. That's an auto rickshaw, also called a tuktuk.


Photos and words © 2007 Pete McGregor