In the corner at one of the long tables the man sits, alone, slumped on the plum-coloured plush seating, staring at the remaining inch of beer in his glass. He looks as if he's struggling with something too difficult to accept. He seems undecided whether to burst into laughter or tears. From time to time he heaves his substantial bulk into another position or wipes a large hand over his face, muttering something to himself as he does so. All the while he grins with his eyes screwed up so tight he must be incapable of seeing anything beyond arms reach. Anything beyond the glass, sitting on the table in front of him with just an inch of beer remaining.
Is he trying to squeeze back the tears, or is he simply too drunk to remember to look around. From what, or whom, might he be hiding, there in the corner behind those screwed up lids?
He grunts—something between a yawn and a groan; an utterance as if he's come to a conclusion—and 
struggles to his feet, shuffles off towards the gents. Upright, he seems almost amorphous; the way he heaves himself along, awkward and rippling, suggests a trace of sea elephant in his heritage. When he returns he eases down onto the seat, flows outward over the plum plush, and resumes his contemplation of the dregs on the table. The logo on the glass identifies it as Fuller's London Pride.
struggles to his feet, shuffles off towards the gents. Upright, he seems almost amorphous; the way he heaves himself along, awkward and rippling, suggests a trace of sea elephant in his heritage. When he returns he eases down onto the seat, flows outward over the plum plush, and resumes his contemplation of the dregs on the table. The logo on the glass identifies it as Fuller's London Pride.
...
It seems increasingly probable that he's drunk himself to the brink of collapse. But what drove him to that? Was it the long, slow entrapment by alcohol, genes, and the culture of pubs; the harmless habit tightening its grip pint by pint, session by session? Or is this an exception, the result of some trauma, some pain too hard to bear alone, too hard to bear without the solace of inebriation?
“I'm sorry,” she says. “I need more than you can offer. I've met someone...” She doesn't look at him.
“It's this recession,” he says. “We're going backwards.” He shrugs and looks uncomfortable. “I'm sorry. We can't keep you on.”
He answers the door and the policeman asks his name and suggests they go inside. “I'm sorry to have to tell you this,” he says.
“I'm sorry,” the doctor says. “When it's this far advanced there's nothing we can do.”
It's easy to believe he's been crushed by some traumatic event, but perhaps he's simply accepted his life, accepted he'll never be an All Black, never win an Olympic medal or make it big in the movies, never foot it with the high flying currency traders, never be of the slightest interest to paparazzi or reporters from Time or Woman's Weekly. Perhaps he's at ease knowing he'll never earn enough to benefit from the latest tax cuts, and although he'd like kids of his own to love and cherish (he'd be a wonderful dad), he's comfortable 
knowing that'll never happen. Maybe he's just happy with his life, happy to sit in a corner on his own and enjoy a pint and then another. And then another, as the haze of contentment and goodwill thickens and settles over him. The world is fine, really—all that constant striving just makes a body anxious and highly strung.
knowing that'll never happen. Maybe he's just happy with his life, happy to sit in a corner on his own and enjoy a pint and then another. And then another, as the haze of contentment and goodwill thickens and settles over him. The world is fine, really—all that constant striving just makes a body anxious and highly strung.
...
The barman buzzes around, quick and efficient, clearing the empties. Everything about him seems the antithesis of the man in the corner. The barman is small and agile; he looks strong; he looks like someone who'd take out an opponent before the other guy had even drawn back his fist. Most of all, he seems alert; utterly present, aware of where he is.
But he doesn't look at the man in the corner.
...
The man in the corner might be happy or sad, euphoric or distraught. He might be three sheets under the wind or a couple of cans short of a six pack. Tonight might be a regular part of his life or an aberration. If he's drunk, is it because his genes and habits have trapped him; or is it out of character and he's trying to deal with great and sudden pain; or does he enjoy his life, including these bouts, so much he wants nothing more? Which of these is the worst to believe?
...
He finishes that inch of beer and stands unsteadily. He edges sideways from behind the table, drags his feet towards the door. His pants have slipped halfway down his arse but he catches them in time and hitches them up.
The barman glides around, whisks away the glass now empty of Fullers London Pride. The man in the corner no longer exists.
Notes:
1. The man in the corner does not exist, although he can be found readily enough in pubs (or elsewhere) throughout the world. Often he's the woman in the corner, too.
1. The man in the corner does not exist, although he can be found readily enough in pubs (or elsewhere) throughout the world. Often he's the woman in the corner, too.
Photos (click to enlarge them):
1. Wineglass.
2 & 3. Tuesday night jamming at The Celtic. Over on The Ruins of the Moment I've posted another photo from the same session.
4. Here in Aotearoa a 330 ml bottle's called a stubby. This is one — for the record, it's Monteith's Golden Lager.
1. Wineglass.
2 & 3. Tuesday night jamming at The Celtic. Over on The Ruins of the Moment I've posted another photo from the same session.
4. Here in Aotearoa a 330 ml bottle's called a stubby. This is one — for the record, it's Monteith's Golden Lager.
Photos and words © 2008 Pete McGregor
